Ph. Kasia Bielska
Jascha Heifetz playing violin in Mili’s darkened studio as light attached to his bow traces the bow movement. Photo by Gjon Mili,1952.
Whenever I’m depressed about the struggle of being an artist striving for recognition I find solace in the fact that there’s probably a post out there with 50,000 notes featuring my work and no mention of my name. I close my eyes, smile and softly whisper to myself: